Twitch (Solo Clarinet + Piano)
Commissioned for performance at the 2016 Midwest Band & Orchestra Clinic, Twitch is a driving, 6-minute showpiece for solo B-flat clarinet and band, which marries syncopated, rhythmic excitement with lush, romantic lyricism.
Medium: Solo B-flat Clarinet with Piano
Publisher: C. Alan Publications
Composed: 2017
Duration: 6:00
Difficulty: Grade 5
Commission: Spring High School, Gabe Musella
Commissioned for performance at the 2016 Midwest Band & Orchestra Clinic, Twitch is a driving, 6-minute showpiece for solo B-flat clarinet and band, which marries syncopated, rhythmic excitement with lush, romantic lyricism.
Medium: Solo B-flat Clarinet with Piano
Publisher: C. Alan Publications
Composed: 2017
Duration: 6:00
Difficulty: Grade 5
Commission: Spring High School, Gabe Musella
Commissioned for performance at the 2016 Midwest Band & Orchestra Clinic, Twitch is a driving, 6-minute showpiece for solo B-flat clarinet and band, which marries syncopated, rhythmic excitement with lush, romantic lyricism.
Medium: Solo B-flat Clarinet with Piano
Publisher: C. Alan Publications
Composed: 2017
Duration: 6:00
Difficulty: Grade 5
Commission: Spring High School, Gabe Musella
Twitch was commissioned by DC Tour & Travel (Jon Locke, CEO) for the Spring High School Wind Ensemble (Spring, Texas), directed by Gabe Musella, for performance at the 70th Annual Midwest Band & Orchestra Clinic (Chicago, Illinois) with guest clarinet soloist Sasha Potiomkin of the Houston Symphony. Tasked with writing a piece for virtuosic solo clarinet, an occasional featured clarinet quartet, and band with active, grooving percussion parts presented a fun challenge. I approached the piece much like Baroque solo concerto with elements of the concerto grosso, alternating between the tutti ensemble and solo sections that don’t always have much to do with one another thematically.
Sometimes the solo clarinet is accompanied by the full ensemble, but mostly it is joined by a clarinet quartet made of three B-flat soprano clarinets and one B-flat bass clarinet, resulting in a nice homogeneous ensemble (like a string quartet). The connecting thread for the piece ends up being the percussion section, who behave much like a percussion quintet, echoing rhythmic motives heard in both the full ensemble and the solo parts. The excitement from beginning to end is palpable. Even in the calmer sections, fast, syncopated motives are thrown around the percussion section to keep the drive alive.