Las Abejas (Barrios)
Written in the fall of 1921 as an arpeggio etude for guitarists, the piece has been compared to Rimsky-Korsakov’s “Flight of the Bumblebee” for its quick tempo, virtuosic techniques, and its title.
Medium: Solo Marimba (4.6-octave)
Publisher: C. Alan Publications
Adapted: 2001 (orig. composed in 1921)
Duration: 2:30
Difficulty: Grade 5
Written in the fall of 1921 as an arpeggio etude for guitarists, the piece has been compared to Rimsky-Korsakov’s “Flight of the Bumblebee” for its quick tempo, virtuosic techniques, and its title.
Medium: Solo Marimba (4.6-octave)
Publisher: C. Alan Publications
Adapted: 2001 (orig. composed in 1921)
Duration: 2:30
Difficulty: Grade 5
Written in the fall of 1921 as an arpeggio etude for guitarists, the piece has been compared to Rimsky-Korsakov’s “Flight of the Bumblebee” for its quick tempo, virtuosic techniques, and its title.
Medium: Solo Marimba (4.6-octave)
Publisher: C. Alan Publications
Adapted: 2001 (orig. composed in 1921)
Duration: 2:30
Difficulty: Grade 5
Agustín Barrios Mangoré (1885-1944) was one of the most successful and influential guitarist/composers of the first half of the twentieth century. His compositions range from simple etudes to wildly virtuosic multi-movement works. The majority of these works fall into one of three categories: folkloric, in which pieces were modeled after South American folksongs; imitative, in which composition styles and techniques were borrowed from the Baroque and Romantic periods; and religious, in which pieces were inspired by Barrios' own religious experiences and beliefs. As a performer, his virtuosic abilities have been compared to other composer/performers such as Niccolo Paganini. Upon hearing Rimsky-Korsakov's famous Flight of the Bumblebee, Barrios wrote Las Abejas. The piece is an arpeggio etude, originally for guitar, set in a fast-paced 12/8 which showcases the virtuosic qualities of the marimba.